These images are usually termed “marginal illustrations” or “marginalia”. In the later tradition of western European manuscript illumination in the 13th and 14th centuries, animals appear in copious illustrations on the side and bottom margins. Please check your inbox to activate your subscription Thank you! The Wild World of Medieval Marginalia The Prayer Book of Bonne of Luxembourg, Duchess of Normandy, attributed to Jean Le Noir, via Metropolitan Museum of Art In a Christian context, these animal forms may be interpreted for their religious connotations or as apotropaic devices (symbols believed to impart protection wherever they appear). This style relates back to pre-Christian Celtic and Anglo-Saxon metalworking traditions, such as that seen in the treasures of the Sutton Hoo ship burial. In many cases, the interlace itself becomes the long and stylized bodies of birds, snakes, and terrestrial animals, with their heads and claws sprouting from the ends. Manuscripts like the Book of Kells and the Lindisfarne Gospels practically invite viewers to play Where’s Waldo, finding all the creatures hidden in a single image. In insular manuscripts - those made in early medieval monasteries of the British Isles - profuse animal and human forms occur within the characteristic interlacing decoration that often covers entire letters or pages. Humans and human/animal hybrids called “grotesques” or “chimeras”, as well as foliage appear here as well. They occur in the ample white space, or within decorated capital letters, frames, borders, and more. In medieval manuscripts, animal images appear most frequently as decorative details with little relationship to the meaning of the text. The project was funded by the Arts and Humanities Research Council.Animals in Medieval Manuscripts The Lindisfarne Gospels, Anglo-Saxon, c. The Project Directors were Professor Linne Mooney, Dr Simon Horobin and Dr Estelle Stubbs. Late Medieval English Scribes was developed by The Centre for Medieval Studies at the University of York and the University of Oxford with technical development provided by The Humanities Research Institute, University of Sheffield. The resource includes the searchable characters thorn (þ) and yogh (ȝ). Speculum: A Journal of Medieval Studies, 81 (2006). in Scribes, Scripts and Readers: Studies in the Communication, Presentation and Dissemination of Medieval Texts. 'The Production of Copies of the Canterbury Tales and the Confessio Amantis in the Early Fifteenth Century' in Medieval Scribes, Manuscripts, and Libraries: Essays Presented to N. Advanced search options cover scribal profile, manuscript description, codicology and provenance, and decoration. The catalogue may be browsed by manuscript location/shelfmarks, scribal profiles, authors and letters. These were chosen as having the most variable forms in late medieval English scripts and thus the best distinguishing graphs of a scribal hand. In addition to the overall aspect images of the scribal hands and manuscript descriptions, the site includes images of sample letter forms for eight letters, a, d, g, h, r, s, w and y. The catalogue includes an image of each scribal hand, brief descriptions of the manuscripts and images of selected sample letter forms. This resource is of particular relevance to manuscript studies, palaeography, literature and codicology. The online catalogue will enable specialists and interested members of the public to trace the connections between manuscripts of this period and to make further identifications of manuscripts written by these scribes. The project investigated the manuscripts of the writers' literary works to find relationships among the writers and their patrons and audiences through the identification of the scribes who wrote the manuscripts. The catalogue contains 419 manuscript descriptions, 524 scribal profiles, almost 17000 images of letter forms and 436 images of manuscript pages. Late Medieval English Scribes is an online catalogue of all scribal hands (identified or unidentified) which appear in the manuscripts of the English writings of five major Middle English authors: Geoffrey Chaucer, John Gower, John Trevisa, William Langland and Thomas Hoccleve. Descriptions and illustrations of the scribal handwriting of all medieval and early modern manuscripts of English works by Geoffrey Chaucer, John Trevisa, John Gower, William Langland and Thomas Hoccleve Contents
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